Post by Ymbert Montgomery on Jan 12, 2022 15:41:06 GMT
Celeste Ludenburg - La Gallerie Veritie
Bonjour, my fellow seekers of darkness. I have some exciting news for you.
I believe we may have just seen the work of the next Grand Artistic Master of Europe. A bold claim? Perhaps. But I am not one for exaggeration.
Our tale starts with an invitation to an "art showing" from Lord de la Azur. So far, so typical. Naturally, my presence is requested at many such events. I try to make as many of these smaller gatherings as I can, but I am only one (admittedly talented) woman.
It was good to see that His Grace Lord Maximilian recognises the importance of artistic endeavors to the spiritual nourishment of Paris, graciously agreeing to act as guest of honour. And I was impressed by the fine fare laid on by Lord de la Azur, if only slightly disappointed by his humble living.
But "Spring", the piece. Ah, it was so glorious, it is hard to put into words. A fantasy so real I could have been there, with the satyrs and fauns. (Although not frolicking. I do not frolic). Every leaf, every blade of grass, every faun hair, carefully and exquisitely detailed. This is not your standard painting, my dark angels.
This is the start of Azurism, a new art movement. All that is needed is a few more paintings and I shall be proven right. I am proud to remind you that I was the first critic to notice Lord de la Azur, back when he was a man of the sword.
Bonjour, my fellow seekers of darkness. I have some exciting news for you.
I believe we may have just seen the work of the next Grand Artistic Master of Europe. A bold claim? Perhaps. But I am not one for exaggeration.
Our tale starts with an invitation to an "art showing" from Lord de la Azur. So far, so typical. Naturally, my presence is requested at many such events. I try to make as many of these smaller gatherings as I can, but I am only one (admittedly talented) woman.
It was good to see that His Grace Lord Maximilian recognises the importance of artistic endeavors to the spiritual nourishment of Paris, graciously agreeing to act as guest of honour. And I was impressed by the fine fare laid on by Lord de la Azur, if only slightly disappointed by his humble living.
But "Spring", the piece. Ah, it was so glorious, it is hard to put into words. A fantasy so real I could have been there, with the satyrs and fauns. (Although not frolicking. I do not frolic). Every leaf, every blade of grass, every faun hair, carefully and exquisitely detailed. This is not your standard painting, my dark angels.
This is the start of Azurism, a new art movement. All that is needed is a few more paintings and I shall be proven right. I am proud to remind you that I was the first critic to notice Lord de la Azur, back when he was a man of the sword.